Yuko Hiramatsu 平松祐子

Yuko Hiramatsu's porcelain is defined by reduction. She removes ornaments in order to concentrate on form, proportion, and the interaction of light with the surface. Edges are calibrated; walls are thinned to balanced weight; surfaces remain largely unadorned.

Her aesthetic relies on subtle shifts-translucency, faint carved textures, the modulation of light across curvature. Rather than directing attention outward, her vessels create space around themselves. They do not impose presence; they allow it.

Within Tea & The Passing Hours, Hiramatsu' s work anchors the exhibition in stillness. If others explore gesture and history, she examines space and atmosphere. Her ceramics suggest that time may be sensed most clearly in quiet intervals-when nothing distracts from the act itself.